In Presence through Others, silhouettes emerge, distorted in motion — not as direct representations, but as visual memories. These are suspended presences, inhabiting an undefined space between falling and floating.

These figures, almost ghostlike, are evoked through stains, interruptions, and fragmented gestures — echoes of presences that have passed, or perhaps never fully arrived. The body becomes a trace: something felt more than seen, something that insists even in absence.

The series reflects on how presence is constructed in relation to an undefined other. Each painting holds a tension between the intimate and the impersonal, between movement and erasure. It is in this liminal space that the image takes shape.

The figures have no gender or identity. They are presences. Their contours emerge from the perimeters of real people — lines collected, altered, and reframed, as if memory were an elastic body in constant transformation.